Album Review: The Way We Love

Ōtautahi’s genre-blending six-piece, 1 Drop Nation, has returned – just in time for the summer festival and BBQ season. Their latest album, The Way We Love, serves up a healthy slice of sun-soaked, groove-heavy tunes, drenched in aroha and a righteous kaupapa that recognises Māori values and mauri ora. Aligning with the classic sounds of local legends like Katchafire, Aotearoa, Blood, Dread and Tears, and Herbs, these waiata capture the essence of reggae in a uniquely Kiwi way.

Released on November 28, 2025, the record builds on the band’s reputation for electrifying live shows and heartfelt songwriting, delivering a confident and cohesive collection that pulses with rhythm, soul, and unmistakable Kiwi flavour.

At the heart of 1 Drop Nation is a powerhouse collective of musicians whose chemistry is as undeniable as their talent. The band features Kanei Johnson (Ngāti Porou, Ngāti Kahungunu) on lead vocals, Paerau Hemopo (Ngāi Tahu, Te Arawa, Ngā Puhi) on guitar, Derin Thompson on keyboards and backing vocals, Burke Goffe on guitar, Marc Hansen on drums, and Dru Sione on bass and backing vocals.

Their genre-defying style has earned them time at major festivals including Electric Avenue – where they’ve performed four times – Rhythm and Alps, Fritter Fest, and The Great Kiwi Beerfest. Along the way, they’ve shared stages with a few names you might just recognise: L.A.B, Six60, Shapeshifter, Tiki Taane, Lorde, and Fat Freddy’s Drop.

From the opening notes, The Way We Love radiates warmth and positivity. The album’s lead single, Nothing’s Wrong, sets the tone with sumptuous, laid-back grooves and a positive, uplifting message that reminds us all not to “sweat the small stuff.” The horns on this track are sweet and vibrant, adding a bright layer to the reggae-pop foundation. Written by Kanei Johnson and Paerau Hemopo and produced by the legendary Dr Lee Prebble – renowned for his work with L.A.B. and The Black Seeds – this track is a beautiful example of modern reggae-pop. It’s the kind of song that feels like a deep breath on a sparkling hot afternoon, inviting us to let go and lean into the moment.

The title track, The Way We Love, is a celebration of connection and joy. With lush harmonies, funky guitar riffs, and emotive vocals, it’s a standout moment that showcases the band’s ability to blend heartfelt lyricism with irresistible grooves. The bluesy guitar riffs evoke echoes of Joel Shadbolt (L.A.B), and its appeal will no doubt fill rooms and festival halls across the motu. It’s guaranteed to spark audience sing-backs when performed live. If it’s not already dominating the airwaves, it should be – so go ahead and hassle your local DJ for more airplay. This one deserves to be heard.

Adding a burst of energy to the album is Supernova, a super-funk-fuelled collaboration with the ever-charismatic Laughton Kora. Channelling his current Black Comet persona, Kora takes this track to another orbit. His signature vocal firepower blends seamlessly with 1 Drop Nation’s tight rhythm section, resulting in a track that’s both explosive and infectious. If Bootsy Collins lived in Ruatōria or Tauranga, this is what he’d be making. Kora’s blistering guitar solo is a highlight, soaring over driving basslines and cosmic energy. This one demands to be played loud – another perfect festival-ready banger.

For those tuned into Mai FM or iwi radio, don’t touch that dial when Proud comes on. This number brings soulful aroha and a strong statement: “Moving across the land, across the sea / I’m proud to be Māori!” It’s an affirming waiata that uplifts and inspires. Tapping into classic reggae rhythms that trace back to Bob Marley’s early influences, the song is a genuine and heartfelt celebration of identity, resilience, tikanga, and cultural pride.

There are other nods to the genre throughout the album. Irie, featuring Chad Chambers, brings a touch of Jamaican dancehall. Sailing offers joyful, pass-the-guitar campfire jamming vibes. Can I nods to ‘Arkology’-era dub, while Get Up channels a 70’s groove reminiscent of L.A.B. On the latter, the shimmering horn section and heavy rock guitar solo moments are a revelation, reminding us just how talented this crew really is.

The final track, Family, follows the kaupapa laid down by Six60 in Don’t Forget Your Roots. In a similar vein, 1 Drop Nation delivers the message clearly and sweetly: “Family comes first.” The song reminds us all of where we come from, and where to look for strength and aroha. Simple and powerful, it echoes the whakataukī: Ehara taku toa i te toa takitahi, engari he toa takitini – my strength is not that of a single warrior, but that of many!

Normally, I’d round up a review with some encouraging kōrero on why you need to listen to the album. And sure, you absolutely should. But honestly, the best way to experience these tracks is live and direct. Their music is already classic, the production is polished, and the energy is infectious. This is who they are. This is what they do. And what they do is bring the magic to the stage.

All in all, 1 Drop Nation has delivered the soundtrack for your summer, people. A reminder of the power of music to inspire, to connect, to uplift the soul. What’s better than that? Get off your winter couch and start dancing. After the crazy year we’ve all had, we need this more than ever. This is the sound of an Aotearoa summer in all its radiance.