MNZ Interview: Muroki

Muroki has spent the past while living in Berlin, but this summer he’s returned home to his roots, touring Aotearoa. Muzic.NZ’s Lachie caught up with Muroki to kōrero about life abroad, his evolving sound, living in Berlin, his new album Amber Skies, and what it’s been like coming home to tour.

What inspired the move to Berlin?

I was looking at London and a few other places, but my girlfriend’s from Berlin, so it just made sense. She’s fully set up there, which made it an easy transition. I’ve been spending most of the year there and coming back to Aotearoa for summer – it’s a good way to dodge the winter.

How does the creative scene compare to Aotearoa?

It’s a different world. In New Zealand there are heaps of small bands and people really show up for them. Over there, the local scene feels different, and everyone in my world of music is already doing pretty well. I’m still figuring it out, but I’ve realised you’ve just got to do your own solo thing and build it.

How would you describe your music to someone hearing it for the first time?

Indie pop with a lot of funk-based stuff and Afro rhythms. There are some reggae-adjacent vibes too. It’s kind of a mixed match – music you’d listen to with a coffee or a beer at sunset.

Who influenced that sound growing up?

I was introduced really young to samba and capoeira rhythms, so that’s been a big influence. I grew up on Stevie Wonder, Michael Jackson, Al Green, Damian Marley, Bob Marley, Ben Harper, Red Hot Chili Peppers – lots of different stuff.

How did growing up around Raglan and going to Hamilton Boys’ High shape you musically?

You kind of make music for the environment you’re in. The music I listened to before a surf or a skate – that cruising vibe – that’s what I ended up making. I also met a lot of my bandmates at Boys’ High, and there were heaps of talented musicians around from a young age.

When did music stop being a hobby and become the thing?

Probably around 11. I thought I’d be a guitarist, then got into songwriting and singing. I dropped out of school on my 17th birthday and just went for it. Same with Berlin – nothing planned, just went. You’ve got one life, so you might as well do what you want.

What’s your songwriting process like?

I usually start with an idea or a story, then build a little instrumental loop and freestyle melodies – total gibberish. If the gibberish sounds good, I know I’m in a good spot. Then I match the story to the melody.

For the album, we focused on guitar and vocals first. If that sounds good, the song’s solid. You can’t produce your way out of a bad song.

What’s the story behind the new album Amber Skies?

I was writing songs all around the world, so it feels kind of nomadic. The title comes from sunset – it’s my favourite time of day, and that’s when I picture people listening to it. I didn’t want to force a concept album; I wanted it to naturally come together.

Has travel influenced your writing?

Definitely lyrically. Experiencing different places changes the stories you tell. Musically, maybe subconsciously, but I notice it more in the lyrics.

What’s it been like coming home and touring Aotearoa?

It’s been really special. After Europe, coming home and seeing everyone know the songs – it makes you grateful. It’s more relaxed here; people show up and sing along. That’s pretty special.

Any message for the people supporting you back home?

Thank you. I’m stoked people are on the journey with me. It’s been great, and I’m excited for what’s next.